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 Best kept SecretMar 29, 2008
Every positive comment I've read about this machine is true. I liked mine so much I ended up buying three (when they were available.) I use one in my studio, take one with me to classes to record lectures (I'm 62 and have gone back to university.) I gave the third to a dear friend who is a fellow retired broadcaster living in Amsterdam who does a show on the internet DFM network Sunday afternoons and frequently includes stuff she has recorded into her mix. (Thunderstorms are great with mega bass turned on.) What nobody seems to mention is that there is a port on the top of the machine for one of Sony's transformer power supplies, which saves a lot on batteries. The transformers are good with 115-220 V at 60 & 50 Hz respectively, which means you can take the MZ-B100 just about anywhere in Europe or North America and not waste batteries except on remote locations. Sony's transformer has fold-in U.S. flat blade connectors to mains, but Magellan or AAA can fix you up with a converter plug for a nominal charge. Electronic editing is a cinch as you define edit points using the "mark" button. that assigns the track a number, which can then be moved to almost any other place also so marked. The first time I saw one of these machines was a photograph of Terry Anderson's workspace in Iraq on assignment from the BBC. I am told that when these MZ-B100's were released they cost in excess of $900. They are a bargain at more than that IF YOU CAN FIND ONE. I have Uher and Studer equipment that can't come close to quality per ounce that the MZ-B100 can deliver. The blank discs can be used "one million times" says Sony, without any noticeble loss of quality. I am a 40 year broadcast veteran, both "talent" and engineer, and if you told someone you could pack all of these features (read the manual, there's a link elsewhere in this product listing) in 1965 I'd have laughed at you while seriously questioning your sanity. If you can find one listed here or elsewhere BUY IT ! IPOD SCHMIPOD, this is the genuine breakthrough. There is also an optical digital input, which means you can virtually clone CD's if your CD machine has an optical output.(It's usually locatable by the little squareish plug in the back which protects the port when not in use.) I found the connecting digital cable and transformer on eBay. Good as the built in stereo mikes are, an expensive mike with a fabricated stereo mini plug to XLR connector does a fantastic job. The mic input also feeds phantom power to condenser mikes. All in all a little miracle of design and practicality.
Sony MZ B100 MiniDisc RecorderNov 13, 2006
This recorder has been the best investment I have made. It is user friendly, has easy to read and understand displays, and makes great recordings using an external mic or its own internal mic. I have recommended it to several of my friends and our university radio station owns several. Students prefer this model over those recorders like the MZ N10 that are both difficult and confusing to use.
13 of 14 found the following review helpful:
 Flawed, but leader in the marketNov 25, 2004
I'm a professional broadcaster, having used MD since the early 1990's, and our organization uses these for newsgathering. The main flaws of the MZ-B100 as noted elsewhere are lack of lighted LCD, and extremely slow RR/FF and other actions, due to the single AA power supply and other issues. But another drawback is that, after extensive use, and with some units this develops earlier, it starts adding phantom tracks without pressing the track button. This is bothersome when you're trying to keep a record of what is where. I hope SONY comes out with an upgrade, but doubt they will, because they already have the slightly cheaper MZ-B10 and other digital recorder options.
7 of 7 found the following review helpful:
Nice unitFeb 06, 2004
This is a great unit- I bought a sony mini disc player 6 years ago which just started to give problems (having dropped it many times)so i had to get a new one. This B100 as a great replacement. It is so convenient to have the ability to record and play-back all on one unit-no cords.Cons. No lighted display! This makes it impossible to read even in dimmly lit environments and obviously an oversight on sony's part. That said, however, an excellent unit, great features and performance
28 of 28 found the following review helpful:
Perfect for journalistsAug 08, 2003
...As a journalist of 25 years experience, I have tried just about every cassette/microcassette/solid-state handheld field recorder out there. Too well do I know the hearbreak of getting back from a day of great interviews to find nothing but a hiss, or hum, or worst of all, a mumble that you cannot quite make out. This recorder solves all of those problems. It is very easy to see that it is recording -- a red light flashes -- which is reassuring while the interview is in progress. It can record for five hours, more than enough for the average reporting day. The media is removable, which means you can tuck the minidisc in a folder and transcribe it later (not possible with the new batch of solid-state microchip recorders). Battery life is fabulous, advertised at 45 hours and I believe it, the battery never seems to give up. It has a nice variable-speed playback feature, so you can run it at 80 percent speed and thus keep up while transcribing. Only minor quibble is that the review feature has a delay...if you want to back up a few seconds to catch a missed word, you have to wait about five seconds for the backing up to begin. Anyway, this thing is not cheap, but if it salvages one interview that would otherwise be lost, it will be more than worth it to the working journalist. I use it for print, but I understand that minidisc is becoming the media of choice for in-the-field radio reporters. I believe it: the sound that comes out of this thing is just plain perfect.
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based on 6 reviews
